travel photographer
Photographed on Location in Key West, FL, Palm Springs, CA and Adelaide, Australia. Thank you to all involved!!!
In the first week of January of this year I photographed Kara Thoms here in Santa Barbara. Kara is based here and operates her boutique from a dreamy A-frame house in the mountains overlooking Santa Barbara and the Channel Islands. I happened to know Kara from a shoot (she used to model) from may years ago for the Walking Company so it was fun to reconnect.
In mid December of 2020 I drove through the Santa Ynez Valley and crossed the ranges into the Cuyama Valley and ultimately into the town of Cuyama to photograph the revived Cuyama Buckhorn. A historic roadside motel the Buckhorn is under new ownership and has been receiving an amazing refresh. Close proximity to the Carrizo Plains, a National Monument containing the largest single native grassland remaining in California, makes the Buckhorn a great escape from Los Angeles, Ojai or Santa Barbara. The drive along Highway 33 between Cuyama and Ojai is one of the prettiest drives and supposedly one of the best areas to view fall colors in California.
And finally I drove down to Chino and visited Eastern Leaf Nursery to photograph their Bonsai operation. The depth of history regarding Bonsai is remarkable and I even received a little gift in form an olive tree Bonsai (I love Olive trees).
You can view all of these stories in the current (Spring 2021) issue of Naturally Danny Seo.
Martha Soffer by Jonas Jungblut
My recent editorial piece on one of the most renowned Ayurvedic doctors and experts in the country, Martha Soffer, can be viewed in print in the current issue of Naturally Danny Seo Magazine. Martha operates Surya Spa in Los Angeles where I photographed this story. You'll also find two gems from trips to northern Thailand and Telluride, CO in this issue.
Surya Spa by Jonas Jungblut
Surya Spa by Jonas Jungblut
Surya Spa by Jonas Jungblut
Telluride by Jonas Jungblut
The image on the right was photographed at the Anantara Golden Triangle Resort in northern Thailand on a trip a few years ago. My favorite memory from that place is a teenage elephant wanting to play with me… by running into me…
Anantara Golden Triangle by Jonas Jungblut
I am excited to share that you can now shop my art work on an elegant new site: galleryjonas.com
Browse the Water, Mountain and Skin collections for photographic images that can be bought as loose prints or in a custom high quality frame.
Buying fine art online has never been more popular. If you have been considering shopping art for your interior space, may that be a house, apartment or office, I hope you come over to Gallery Jonas to take a look.
Large scale, framed photographic prints are incredible, but sets of multiple images can add modern design to a wall and tell stories. Depending on what you want to achieve with the art in your space a set may be the right choice.
Getting lost in a vast, minimalist, large scale landscape image can be meditative and allow for focused thought. That type of artwork will create calmness and add peace to a space. It requires more thought to analyze and make sense of a single photograph, which, in my opinion, is the point of large scale imagery.
A set allows for storytelling and quicker digestion. The individual images compete for your attention so it is more difficult to dive as deep into each one as when you have one single image to dissect. The set allows for a more playful, less serious consumption of visual candy, though. Further, the design of the set or grid becomes an important factor to the story you are telling.
Browse the photography collections and design your own sets!
I produced and shot this short film featuring artist R. Nelson Parrish and custom surfboard shaper Ryan Lovelace’s project FOILS recently. The project was commissioned by the good folks over at Entropy Resins, makers of amazing bio resin.
We shot this at Parrish and Lovelace’s studios in Santa Barbara with a Covid-safe tiny crew and had a good time. Being the two characters they are, we had an entertaining day, including a lunch with Keith Malloy that consisted of a conversation which can only be referred to as unique.
Having documented Parrish and his work for over a decade we hadn’t produced a video/film before except for a vlog type video featuring a project in Berlin, so this was fun!
I’ll let Nelson and Ryan explain what FOILS is all about in the video. Enjoy!
A big thank you to all involved and especially Entropy Resins for making this possible!
I photographed another cover for Naturally Danny Seo Magazine this summer and it is out now! The cover was photographed in Serenbe, GA. I had to fly out from Santa Barbara, or LAX, to shoot this cover and one of the stories in the magazine. This was right when cases of Covid started to rise in Georgia. Not so comfortable but the travel experience was actually insanely easy. No lines, no waiting. Lots of space on the plane.
Cover photograph for Naturally Danny Seo Magazine by Jonas Jungblut
The portrait of Amy Feezer was photographed virtually via FaceTime. A technique I used to shoot a story for the Washington Post earlier this year which also landed me a cover. You can see more examples of Virtual Portraits in my series APART/TOGETHER.
The story on Anna Getty took me to Ojai, just about an hour’s drive from Santa Barbara. We spent the day at Anna’s house and had a good time. That was a really enjoyable shoot!
To photograph Elizabeth Stein of purely elizabeth I actually drove from Santa Barbara to Boulder, CO, a quick 20 hour drive… I stopped in Salt Lake City and made a road trip out of it which was super fun.
The Modern Farmhouse story was shot in Serenbe during the same trip we photographed the cover of the magazine. Serenbe is a small community outside of Atlanta. I have visited this charming, little gem a few times before but this time it felt like it is really growing together. There are still a lot of houses being built, a lot of them modeled after European villages (I was told the founder of Serenbe literally recreated roof lines from photographs he took of villages in Europe) and it is coming together nicely.
Finally there is a one page story about Ireland. These photos are from my first trip for the magazine when we spent a week in Ireland, stayed at castles, harvested seaweed and got sick from Oysters…
Virtual Portrait of Amy Feezor by Jonas Jungblut
Earlier this year, before Covid-19 had arrived, I did a production for EasyRiders Magazine featuring Carey Hart. This project was a stills and video combo. Stills aren’t released yet but I am happy the video is, so check it out below!
Many Thanks to the team at EasyRiders, Tate Larrick and of course Carey Hart and his team!
Actually, this isn’t a mystery woman in the sense that I don’t know who it is, I am well aware of who this is. But Half Dome in the background is (or should be) a feature that does not need to be explained, and I liked the juxtaposition of that.
This was taken during a recent road trip. Trying to stay socially distant while traveling…
Here are two recent covers of national magazines with my images on them. Pretty stoked, I have to say! The Washington Post Magazine cover was shot remotely, via FaceTime and other video chat applications during lock down. When I started my FaceTime portrait project I sure didn’t anticipate ending up on the cover of the Washington Post mag. Another great example of jumping off a cliff, figuring out how to fly on the way down and landing in paradise… I guess. It just shows that sticking your neck out usually leads to something. All the images for this article and my project Apart/Together, which features subjects from around the globe, were photographed while I was at home in Santa Barbara. Times are changing and technology is speeding up that change in a scary way.
The Naturally cover was photographed in Minneapolis. No idea did I have that just a few months later the city would become the epicenter of a powerful resurgence of the Black Lives Matter movement.
On that note: I was always fascinated by the change that occured in the United States in the 60’s. People standing up for their rights and changing things. It was part of what made me want to immigrate here. Our current situation reminds of that time and seeing people fight for their rights in the streets as well as in the media again is inspiring!
JUNGBLUT2019
I have been making the JUNGBLUT20xx since 2013 and it’s been fun to go through the year and select portraits, travel images and whatever else stood out that year to compile them all in this volume. This is not a portfolio, it is a journal style compilation featuring photographs from personal projects, tests, magazine publications and commercial photo shoots. It features images that may be outtakes from jobs or the hero images. It is a truly personal piece, showcasing the images that stood out to me and which I love.
It also helps to keep track of my progress over the years. At this point I can go back 5 years and see how my style has changed. From taking a portrait or landscape image to editing it and then also formatting it in the magazine. And of course it acts as sort of a catalog of my work. Selecting the best images from a year and printing them in a tangible magazine insures that they stay around.
I bring these on jobs and leave them behind, or send them in the mail but you can also just buy one from Magcloud HERE. And you can find the previous years HERE.
Susanne Kaufmann at the hotel Post in Bezau photographed by Jonas Jungblut
I am based in Santa Barbara but travel for around 80% of my work. I do have roots in Berlin, where I grew up, and also in Vorarlberg, Austria, where my family is from. For the past years we have spent the summer in Austria and while a lot of it is exploration (aka shooting stock) I always sneak a little bit of assignment work in.
Last year I pitched a story about Bezau local and international brand name Susanne Kaufmann to Naturally Danny Seo Mag, a magazine I work for a lot. Danny knew about Susanne and her high-end skin care line and so I ended up shooting this story in a dreamy, tiny little town in the Austrian Alps, around the corner from where my family has lived for a very long time.
Susanne and her team couldn’t have been nicer and accommodating but the thing that really was just incredibly satisfying was the fact that I was working in my back yard for a US national publication. Not only helping to spread the word about this brand but also supporting the area in general. Being an editorial and commercial photographer means that you get to meet new people and explore new places all the time, and that is fun. When you can feature something that is close to you it’s like the icing on the cake!
Susanne Kaufmann editorial photographed by Jonas Jungblut
Susanne Kaufmann editorial photographed by Jonas Jungblut
Susanne Kaufmann editorial photographed by Jonas Jungblut
When I was at the Surfranch for Red Bull photographing portraits of Carissa Moore (see post HERE) I also shot portraits of ripper Caroline Marks. We did a few different set ups but the one below was my favorite. Dark background and natural light is hard to not make look cool. And Caroline’s blue eyes just look stunning here.
portrait of Caroline Marks at the Surfranch in Lemoore, CA
I also got a sweet little action shot of Caroline ripping it up in the water. It was amazing to watch her surf ALL DAY LONG. The amount of energy and endurance is borderline scary.
Caroline Marks surfing at the Surfranch in Lemoore, CA.
I’ll post the other athlete portraits I took that day of Jordy Smith, Kolohe Andino and Kanoa Igarashi soon. A fun day shooting portraits of some amazing athletes at the Surfranch!
You can find some of the images I shot on Red Bull’s content pool website.
I almost always have a camera on me when doing any sort of activity. This means I end up with a lot of random images that don’t really fit in my portfolio and/or general marketing strategy. I am a portrait photographer. That is my specialty. It does not mean I don’t photograph anything else though.
Just recently I received an email from a fellow photographer who appreciated me showing a “range” of imagery on my site. It was nice to hear but at the same time a little confusing since, in my mind, I focused on showing portraiture pretty heavily over the past years. But it also rang true, I do have range and it stems from always shooting. Especially for editorial assignments I end up photographing all kinds of different topics. From portraits to architecture and travel to food, I have shot it all. I photographed while riding an elephant, dangling on a vertical cliff hundreds of feet of the ground, underwater and comfortably in a studio. But I do consider myself a portrait photographer and that is what I market myself as. So what do I do with the thousands and thousands of images shot on location, vacation and in between? They go into stock.
I have been involved with the stock industry for over a decade and I have watched profit decline, it’s not been pretty. When agencies introduced the Royalty Free model it became a race to the bottom and I have a feeling that agencies are just now trying to repair that damage. Little late guys…
Anyways, you can find a selection of my work on Gallerystock.com. Portraits, documentary, abstract and travel imagery from locations like Japan, Sri Lanka, India, California, Austria and more…
In May of this year I traveled to Japan for Naturally Danny Seo to photograph an editorial around travel and food. I photographed portraits, landscapes, food and some industrial/ingredient images, a true travel story. Our journey started in Osaka and via Tokushima we traveled to Tokyo from where we departed (check out a vlog HERE ). We documented Wakame (seaweed) harvests, Mochi production, visited a Umeboshi (plum) farm/factory, a Miso producer and finally a Shoyu (Japanese style soy sauce) facility. This last stop left us with the most exotic experience.
The Shoyu was cured in large wooden barrels measuring a diameter of about eight feet with a depth of at least ten feet. We could walk between the open barrels but they were placed tightly together so that the space between them got very narrow in the middle, less than a foot wide. At first I just thought it was fun balancing in between the barrels but then I realized that the Shoyu was too thick to swim in. If I fell in I would just sink to the bottom. And they were wide enough to where it was pretty unlikely to get a hold on the rim if you actually fell. It became clear that if you fell in, you’d never come out. It would take too long for someone to notice, know which one you fell in and then find some sort of device to pull you out. I stepped a lot more carefully…
Once I was done shooting I asked our guide about it and had my theory confirmed…
I had one amazing short little trail run in Tokushima prefacture (vlog HERE) and of course seeing Mt. Fuji from the Shinkansen at dusk was amazing (and so was seeing it from the hotel in Tokyo). The alleys in Ginza (Tokyo) at night were fantastic and the fact that they shut down the road in Ginza and converted it into a promenade on the weekend was nice to see.
Many thanks to the team and the people of Japan for making this a fantastic journey!
